After the publication of Il nome della rosa, Umberto Eco replied to a journalist who asked where the author’s subjectivity could be found in the novel by saying that “the subject is in the adverbs.” What might have sounded like a witty remark was later interpreted by Patrizia Violi as an effective synthesis of an entire…
Tag: Semantics
From Abstract Syntax to Semantic Concreteness
To narrate means to construct a world. Eco affirms this, and adds that such a world must be “so concrete that one can imagine stepping into it.” A world that stands “before our eyes,” where even the smallest details can be perceived, and that becomes populated with words almost spontaneously, as soon as we visualize…

