<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Enunciation &#8211; Semiotica</title>
	<atom:link href="https://www.semiotica.org/tag/enunciation/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.semiotica.org</link>
	<description>Dalla scienza dei segni alla semiotica del testo. Il campo semiotico e le teorie della significazione</description>
	<lastBuildDate>Tue, 10 Mar 2026 06:39:41 +0000</lastBuildDate>
	<language>it-IT</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>

<image>
	<url>https://www.semiotica.org/wp-content/uploads/2025/06/cropped-xlogo-semiotica-32x32.png</url>
	<title>Enunciation &#8211; Semiotica</title>
	<link>https://www.semiotica.org</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Body, Voice, and the Plane of Expression</title>
		<link>https://www.semiotica.org/body-voice-and-the-plane-of-expression/</link>
		
		<dc:creator><![CDATA[Semiotica]]></dc:creator>
		<pubDate>Fri, 07 Nov 2025 15:30:47 +0000</pubDate>
				<category><![CDATA[Semiotics]]></category>
		<category><![CDATA[Enunciation]]></category>
		<category><![CDATA[Patrizia Violi]]></category>
		<category><![CDATA[Semiotics of orality]]></category>
		<category><![CDATA[Umberto Eco]]></category>
		<guid isPermaLink="false">https://www.semiotica.org/?p=2050</guid>

					<description><![CDATA[In the semiotics of orality, the body is not a secondary support for meaning but the very material of enunciation. Patrizia Violi observes that in oral discourse “sense is literally embodied, since the body constitutes the material of expression of this semiotics.” The body thus establishes the plane of expression in the same way that textual substance...]]></description>
		
		
		
			</item>
		<item>
		<title>Semiotics of Orality: Sense in Action, Body and Voice in Enunciation</title>
		<link>https://www.semiotica.org/semiotics-of-orality-sense-in-action-body-and-voice-in-enunciation/</link>
		
		<dc:creator><![CDATA[Semiotica]]></dc:creator>
		<pubDate>Thu, 30 Oct 2025 15:56:28 +0000</pubDate>
				<category><![CDATA[Semiotics]]></category>
		<category><![CDATA[Enunciation]]></category>
		<category><![CDATA[Immanence]]></category>
		<category><![CDATA[Narrativity]]></category>
		<category><![CDATA[Patrizia Violi]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[Semantics]]></category>
		<category><![CDATA[Semiotics of orality]]></category>
		<category><![CDATA[Semiotics of Passions]]></category>
		<category><![CDATA[Subject]]></category>
		<guid isPermaLink="false">https://www.semiotica.org/?p=1953</guid>

					<description><![CDATA[Patrizia Violi proposes to consider a specific form of the&#160;arts du faire: the&#160;art du dire. According to her, semiotics has long neglected this form of meaning production: its textualist tradition has led it to privilege the analysis of already textualized products rather than the practices that generate meaning. The discipline, in other words, has focused...]]></description>
		
		
		
			</item>
		<item>
		<title>Umberto Eco: The Subject as Semiosis in Act</title>
		<link>https://www.semiotica.org/umberto-eco-the-subject-as-semiosis-in-act/</link>
		
		<dc:creator><![CDATA[Semiotica]]></dc:creator>
		<pubDate>Tue, 28 Oct 2025 16:29:47 +0000</pubDate>
				<category><![CDATA[Semiotics]]></category>
		<category><![CDATA[Enunciation]]></category>
		<category><![CDATA[Husserl]]></category>
		<category><![CDATA[Patrizia Violi]]></category>
		<category><![CDATA[Semantics]]></category>
		<category><![CDATA[Semiosis]]></category>
		<category><![CDATA[Sign]]></category>
		<category><![CDATA[Trattato di semiotica generale]]></category>
		<category><![CDATA[Umberto Eco]]></category>
		<guid isPermaLink="false">https://www.semiotica.org/?p=1925</guid>

					<description><![CDATA[After the publication of&#160;Il nome della rosa, Umberto Eco replied to a journalist who asked where the author’s subjectivity could be found in the novel by saying that “the subject is in the adverbs.” What might have sounded like a witty remark was later interpreted by Patrizia Violi as an effective synthesis of an entire...]]></description>
		
		
		
			</item>
		<item>
		<title>What Is a Sign? Expression, Enunciation, and Proto-signs</title>
		<link>https://www.semiotica.org/what-is-a-sign-expression-enunciation-and-proto-signs/</link>
		
		<dc:creator><![CDATA[Semiotica]]></dc:creator>
		<pubDate>Sun, 26 Oct 2025 03:14:00 +0000</pubDate>
				<category><![CDATA[Semiotics]]></category>
		<category><![CDATA[Enunciation]]></category>
		<category><![CDATA[Ferdinand de Saussure]]></category>
		<category><![CDATA[Per Aage Brandt]]></category>
		<category><![CDATA[Sign]]></category>
		<guid isPermaLink="false">https://www.semiotica.org/?p=1871</guid>

					<description><![CDATA[According to Per Aage Brandt, a sign is an act or artifact performed by an agent—human or animal—addressed to other agents with the purpose of showing, telling, or signifying something. This very article, he notes, qualifies as a sign. As such, every sign is inherently&#160;deictic: it contains an enunciative component, meaning that it points—through its...]]></description>
		
		
		
			</item>
	</channel>
</rss>
